![]() Thus, the Jung diagram exhibits a “qualitative automorphism” which is visible in the self-reproduction of the figure. But it is also an element of his neutral language – neither physical nor psychic – for which he calls: Pauli wishes to construct a “background physics” in the sense of the birth of scientific concepts (cf. ![]() This mathematical concept of group theory refers to a reflection of a system on itself. Wolfgang Pauli, in his letter to Jung of Febru, is struck by the interior symmetry between the large and small squares, which evokes, for him, an “automorphism”. But the Three also appears through a dynamic process of restoration and rejuvenation, which Jung describes with reference to alchemical symbolism. He comes to the diagram on page 259, shown below:Įmphasis is given to the Four and to the square which symbolizes the stability and permanence of the Self. Invisible to the human eye, the reflections of the numbers refer to various traditional representations, such as that of the Pythagorean school, and – of course – to the works of Carl Gustav Jung, Wolfgang Pauli, and Marie-Louise von Franz.Īt the end of Aïon , Jung engages in a fascinating interpretation of historical images of the archetype of the Self which is the “super-organizer archetype” of all archetypes. They are, in a way, “embedded in the noise” of the cosmic unconscious, extended over all dimensions of time and space and in the smallest fluctuating folds of the “quantum foam”. These reflections come from the unitary psychophysical world. Likewise, the discernment of the reflections of the archetypal number in the cosmological narrative presupposes some idea of the various archetypal forms, symbols or images that could be drawn among the infinity of twists and turns of the story. In science, this type of measurement must of course be supplemented by blind tests that do not make any assumptions about the signal otherwise, this would tend to be a circular argument. Thus, the detection of physical signals “embedded in noise” requires the use of templates or patterns that represent the expected waveforms. Physical signals and archetypal reflections Without these wave patterns that comply with the predictions of general relativity, the signals could not have been extracted from the noise. Please note, in grey, the signal template which is cross-correlated with the data. on the right in purple, six thousandths of a second later, by that of Cascina, near Pisa in Italy.in the center in blue, three thousandths of a second later, by that of Livingston in Louisiana.on the left in orange, by the one from Hanford in Washington state.These tiny expansions and contractions of distances, of the order of a thousandth of the diameter of a proton (an attometer = 10 -18 m), were successively observed by three detectors at 10 h 11 min 58.6 s UTC on January 4, 2017: The signals below correspond to gravitational waves resulting from the two merging black holes represented in the post “Models of the universe as a whole”. Gravitational waves are tiny distortions of space-time that propagate at the speed of light. The concepts of qualitative physics (emergence, attractor …) allow for the search for reflections of the archetype of the four. The contemporary cosmological model is based on the idealized space of physics. Jung, Pauli, and beyond …”Īccess the Synopsis: Towards an enantiodromic approach to the universe. Post 5 – “Towards an enantiodromic approach to the universe.
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